Eating in the Library is not a good deed (a play on pronunciation)

In pages of a book, I seek

The tales of green reeds that speak

Of their vibrant hues and graceful sway

A world of wonder, in which to play

But as I turn the final page

A curious thought begins to engage

Will these emerald reeds still hold their sheen

Or will they turn a shade unseen?

Next, I’ll read of good deeds so fine

And ponder if they’ll still shine

Once they’re done, once they’re complete

Or if they’ll fade, incomplete.

For once I read about green reeds, the book is read.

Does it not make sense that the reeds become red?

Once I read about good deeds, the book is read,

so are the deeds dead, or would it be ded?

Then comes the book of healthy food

That nourishes and does us good

But once consumed, does it not shift

From food to fed, and start to drift?

For if I read a book about healthy food that feeds,

after the food is eaten, on the food I’m fed.

Just as after I read the book, the book is read.

It only makes sense that deeds once done are ded.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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