A Conceit (Love is Garbage)

Behold the love of husband and wife,

Like garbage, it may seem peculiar,

A bond that withstands the tests of life,

Yet bear with me, for it grows clearer.

Just as garbage holds discarded things,

Love holds quirks, the mess, the imperfections,

A trash bag collects the flaws that life brings,

but life garbage is held as memories reflections.

Like trash, love can be raw and foul,

as garbage transforms in due course,

With moments that challenge and disavow,

Love transcends, gaining strength and force.

New life arises, from refuse, a garden begets,

if trash, cultivated with tender care,

in the waste matter, the darkest depths,

life can be nurtured from moments of despair.

And like recycling’s noble goal,

From broken pieces, it weaves anew,

Love recasts, restores the soul,

A garden of love, strong and true.

Embrace the garbage, the flaws untamed,

in the bond of husband and wife,

in its greasy depths, love’s essence is framed,

Love’s flower blossoms from messy strife.

In the realm of love, let’s embark,

into this mess that endures, resilient and vast,

into the refuse, the stenchy and dark,

Embracing the garbage, with a love that will last.

Conceit, in literary terms, refers to a type of extended metaphor that exists as an elaborate comparison between two seemingly unrelated things. It often involves an exaggerated or far-fetched comparison that may be clever or inventive. Conceits are commonly found in poetry.

Unlike a simple metaphor or simile, which draws a direct comparison, conceits are more elaborate and unconventional. They can involve complex analogies, paradoxes, or surprising connections between disparate concepts. Conceits allow poets to explore abstract ideas, emotions, or philosophical concepts in a unique and imaginative way.

Conceits can add depth, creativity, and intellectual engagement to poetry by offering unexpected and thought-provoking comparisons. They challenge readers to look beyond surface-level meaning and explore the deeper layers of meaning and connection between seemingly unrelated ideas.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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