Herstory: Pickering’s Harem

Within the Harvard Observatory’s walls so grand,

In a time not long ago, a century has passed,

A universe unveiled, discovered at long last.

A group of women gathered, ready to lend a hand.

To sift through photographic plates, stars to peruse.

With meticulous dedication, they classified the array,

Yet half the pay of men, a bitter price they’d pay.

Hired by Pickering, their talents put to use,

Their contributions hidden, like stars behind a screen.

Misnamed “Pickering’s Harem,” a misogynistic slight,

Their worth diminished, veiled in the shadows of the night.

In this celestial realm, their presence went unseen,

Toiling for six days each week, their brilliance renowned.

Twenty-five to fifty cents an hour, meager earnings they received,

Undeterred by the odds, their spirits remained relieved.

The “Harvard Computers” they became, their tasks profound,

Among them stood Williamina P. Fleming, a shining star,

Over fifty nebulae, she dared to explore,

Unveiling the Horsehead Nebula, forever to adore.

Cataloging thousands of stars, venturing far.

J.L.E. Dreyer stripped her name from the list,

credit eluded her, as her name was erased,

By a compiler’s hand, her brilliance effaced.

Claiming them as “Pickering’s,” a dismissive twist.

history neglected these women, their stories bold,

In 1923, Fleming’s calculations so divine,

Discovered the Universe beyond our Milky Way’s line.

Buried beneath prejudice, their worth untold.

The stars they charted, the knowledge they attained.

They blazed a trail, inspiring generations to come,

Breaking barriers, paving the way, bright like the sun.

let us not forget, for their legacy remains,

their brilliance, their dedication, in history unnamed.

May their contributions resurface, shine through,

In the vast tapestry of history, celebrated anew.

Here’s to Pickering’s Harem, herstory reclaimed.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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