Original “How the child felt” age 15

I remember being scared at the hospital.
You brought me a musical turtle to make me smile.
You let me name her. I felt proud because she was mine.
I felt safe when she sang to me at night.
She was alive and she loved me.
I gave her the name of Turtle Wurtle.
I remember being sick but happy to be going home.
I wanted to hold my turtle and not let her go.
I wanted to take her everywhere with me.
Her soft green plush, her patchwork shell with ruffles,
her ruffled bonnet and big eyes and her winder
that played the Brahms lullaby.
I smiled when I was aloud to, and was angry
when I couldn’t take her to town.
I remember crying when Turtle Wurtle
would be taken away for something I had done wrong.
The dog chewed on her, only a little tear.
She wasn’t as bight as she once was,
with the years of love and hugs and tear stained cloth.
Then I wound her to tight one night and she stopped singing.
I still loved her and held her.
She made me feel safe.
Then the dog got a hold of her again and chewed her into a mess.
I still wanted her, I named her and she was mine.
She was not a stuffed animal, she was alive.
My father threw her away because she was dirty.
I cried and was angry.
He promised to buy me a new one.
But it wouldn’t be the same.
Turtle Wurtle had her own personality
and he killed her.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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