Mainers at Mealtime

Mainers, at meal time – it’s always mealtime, oh, what a bunch we are,

you might just catch us drinkin tap with our hand or Moxie from a Mason jar.

Moxie? It tastes like cough syrup, You won’t like it, that’s for sure,

But we chug it down, like a trophy, and some of us even ask for more.

Though I prefer milk and Coke, Just plain old Coke, we call it Moke.

Pour the Coke first! If not it will curdle, Don’t use Pepsi! It’s no joke.

Breakfast is ketchup on eggs, potatoes at every meal, and blueberry pie,

Lunch—beans in molasses, brown bread, and real dear-mincemeat Oh My!

And fiddle-heads, we’ll eat anything fresh from land, or sea,

wash it down with apple cider, unhomogenized milk, or coffee.

We’re rare souls like our corn, clam, or seafood chowder, of hearty stock,

Never late for suppah, through snow drifts, we boldly walk.

On cold nights-milk toast, (hot buttered milk, and soggy toast), sweet!

or molasses on hot biscuits, or real maple syrup, what a treat!

At any meal, Lobsters, clams, and mussels at the coastline they boast.

Or Red Flannel Hash, (red cabbage and potatoes), or nearly raw eggs on toast,

Now for table talk-some accents are thick, like our chowder so hearty,

But we rarely talk when we’re eatin with fingers, even at a party.

Maybe an “ayuh” or “wicked-good” as were lickin fingers, so quaint,

and we ain’t never done eatin, ‘cuz our teach never did break us from sayin “ain’t”.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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