The Stone Manger

Bethlehem’s fame, in unblemished grace,

In Bethlehem ‘neath the starry night,

Not a cozy cradle, not a bed so grand,

but a manger of stone was the usual sight.

A vessel of protection in that ancient land.

In the stony manger, a safeguarding embrace.

A trough for feeding, rough and stark,

crafted from stone, not like in manger scenes,

chosen with purpose, in the depths of the dark,

as a haven for lambs, in the land of dreams.

For lambs of perfection, in this sacred space,

were wrapped in cloth to protect, tight, and secure,

A sign for the shepherds, a message profound,

The lambs of sacrifice, the stone manger kept pure.

Now a baby lies swaddled, in a manger bound.

Shepherds, guardians of the flocks they keep,

The Shephards understood this newborn’s place,

“This will be a sign,” the angels declare,

A symbol of salvation, beyond compare.

In cloth and in manger, a parallel clear,

The Lamb of God, without blemish or smear.

Understand the symbolism, in the quiet and the deep.

Not just a babe in a swaddling all dressed,

But God incarnate, the sinless guest.

Here the prophesy of sacrifice begun,

To reconcile the world, through God’s own Son.

A perfect Lamb, in a manger asleep,

So, in this season, with joy, we sing,

Of the Perfect Lamb, our Savior and King.

In a humble manager, salvation’s story we find,

A gift of redemption for all humankind,

By the Messiah’s arrival, the world to keep.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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