Do you remember the games we played as children?

Do you remember the games we played as children?

The rose garden? Last one standing?

Ones our parents never heard about.

We played on the tender parts, the underneath,

the soft side of the wrists,

planting pink roses in each other’s garden.

The girls that is.

The boys played the other game.

If a girl thought you were weak,

all the girls would mock you

and they would plant white roses.

You in shame would plead,

“plant red roses!”

and they would break the soil with the hoe

and till the soil, rake the soil, plant the seed,

pound the earth, pluck the weeds,

until the roses grew, as they told the story

of the planting, each story, more unique than the last.

The strongest girl would brag when her roses were purple.

But the boys, oh the boys,

played a game the girls were not allowed to play.

Their part in the game was to watch.

Hands around the throat of the other,

The boys would stand facing one another,

as faces turned red, then purple-

until- the last one standing.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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