WoPoLi

Valentine’s Day in Tom Tit Tot’s Village

Valentine’s are written in poetic lines. that echo in the romantic maze
of ocean currents where promises of love in a flax field, it gently sways,
In Tom Tit Tot’s Village, a rich bachelor sits, a would-be suitor of gold,
In the straw heart of the village, alone a scarecrow stands in the cold.

The straw around her grows straight like Cupid’s bow and quill,
sick with the affection of spring fever, she sees him and feels a thrill.
With the virus of philia in the air, love’s narrative is contagious and sweet,
in every corner of the village, love is spread where any two hearts meet.

In the village of Tom Tit Tot, Valentine’s magic, is found at every glance,
Though they say this ocean-side village is only for monetary romance.
Rich in moments and passion’s fire, but only if you are rich in gold,
The Scarecrow is willing to risk the flame if it takes away the cold

“Say my name.” She whispers and her voice is etched in the cold mist air
there is magic in the village, and her straw heart turns gold when hearts lay bare.
Fairy tales have villains, but in reality, life, and love are much more demanding
Nimmy nimmy not, call her what you want, after all, it’s all a misunderstanding.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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