An Allegory: The Dipping Sipping Bird

A dipping, sipping bird with feathers colored bright
Symbolic of life’s cycles, but something’s not right.
Dependent on external forces, it sips from a source,
In an interconnected cycle, relentless in its course.

Water’s touch, the catalyst for its rhythmic show,
Reliant on heat exchange for its ebb and flow,
Persistently it dips, a motion seemingly without end,
Facing challenges, and limitations, it refuses to bend.

Resilience is no compliment in this steady-clicking song
It persists despite being limited, what could go wrong?
In this act of balance, we see systematic grace,
Reflecting, so it seems, predictable reason in this place.

Equilibrium is sought in this comical dance,
Harmony is achieved but only in a fleeting glance.
Time is an unyielding force that marks its sway,
The bird in constant motion is a journey on display.

Change is inevitable, so say the wise,
A cyclical truth when above is open skies.
Yet it is a mindless repeating of a purpose unknown,
where actions are irrelevant in monotony’s zone.

A commentary on habits, less than sublime,
The dipping bird mirrors mindless, rhythmic time.
In perpetual motion is this bird without flight,
A dipping, sipping creature, a rhythmic delight.

Symbolic of life’s cycles, in patterns and routines,
Simple, and yet all is not as it seems.
In the myth of equality, it’s a slap in the face
The bird’s rhythm reflects a binding disgrace.

Equality? Should that be our only stance?
Equilibrium? Limitations are not balance!
Change is inevitable, so, how is this bird wise?
It’s a cyclical tale in a world where no bird flies.

Perpetual motion, a dipping, sipping song,
Hidden is the fear that the bird does not belong.
Trapped in dependency on resilience, never taking flight,
In the dipping bird’s existence, the bird is not alright.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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