The Painted Horse

In the meadows where the wild winds roam,
As a painted horse I trot about my home.
Painted horses in colours that are diverse,
shades of skin an array, a spectrum horse.

I was born with a culture underneath- unseen,
An Indian horse, yet a white-washed thing.
Born into colors, not of my choice,
Yet judged by a world with a critical voice.

To look at me, one might not know,
The heritage within does not show.
Born in hues unseen, my outside, so white,
Judged by others, shamed into a silent plight.

A horse of cultures, like a pinto I race,
Yet my coat, my skin, light, call me pale face.
Yet, the whispers persist, “Be less white,”
A call to erase, to diminish the light.

But freedom is not when identity is denied,
In the shadows of judgment, the true self hides.
Mixed cultures blend complexity-wide,
Horses with African roots or Latino pride.

“Be less of what you are,” they command,
As if identity were something to withstand.
yellow, black, each unique hue,
Why must we be less? Is it a fair view?

To teach us shame for how we were born,
Is to silence voices, that should adorn.
A cultural identity that is rich and diverse,
each painted pony is vital, a poetic horse.

Let us rise above the judgment’s sting,
Embrace the beauty that our differences bring.
For in the complexity of life’s equine art,
Each painted horse is crucial, playing its part.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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