News Poetry: John Hopkins Defines Women as “Non-Men”

Amidst the impassioned debate, the question stands,

What defines a lesbian in these shifting sands?

Once deemed straightforward, now complexities arise,

Let’s confront the matter, with clear and open eyes.

Now we find, in this LGBT glossary’s text,

A new definition, to perplex about sex,

“A non-man attracted to non-men,” it claims,

A linguistic twist, in society’s aims.

But wait, does it define gay men the same way?

As “non-women,” without delay?

Curiously, no, it seems quite plain,

A gay man is simply a man, not strained.

So, a man remains a man, that much is true,

But a woman, it seems, is a non-man in view,

A linguistic twist, a curious change of phrase,

But will it catch on? The wider public nay says.

Yet fret not, for this term may not endure,

Social media outcries have their own allure,

Women, or non-men, deemed the new term sexist,

JK Rowling and Martina Navratilova were not remiss.

JK Rowling penned an ice-cold parody,

“Non-man: a void without manhood,” merrily,

While Navratilova deemed it an “erasure of women,”

The glossary’s fate, now on the dimmer side, is given.

Critics argued that this definition was erased,

The essence of women, their identities misplaced,

Johns Hopkins chastened, removed the glossary,

Failing to foresee the uproar, unfortunately.

Curiously, within the glossary’s separate ink,

“Trans woman” is used, a discrepancy some think,

This means trans women are women, that is clear,

women, in this context, logically are non-men it appears

In summary, a man remains a man,

While a woman is a non-man, the plan,

A linguistic development that sparks debate,

Against women, I say, these are crimes of hate.

Leave a comment

From the blog

About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

Design a site like this with WordPress.com
Get started