The Damned Celebration of Fear. And Salvation

Certain people, in the grip of fear,

in the shadiness of a lessor or greater inclination,

exist as souls who travel belated and seek salvation,

human nature is a reflection clear,

yet lacking crucial instances it tells a tale so dire,

of the descent of man fueled by imagination’s fire.

The world over is a chilling gaze,

when the hermit’s solitude is shaken by the wild woman’s scream,

of men and apparitions, we dream a sleepless haunting dream.

Ghosts linger in the dimming days.

The Xingu River flows on moonless nights, dark and deep,

If you’re coming home leave there the restless spirits that creep.

The Lady’s Maid’s Bell Tolls in dread,

the triumph of night, it shivers here and beyond, in realms vast.

In the long run, the journey, a choice–a pact with shadows cast,

Afterward, the eyes are lingering though dead.

The triumph of Night is ever a relentless plight,

Miss Mary Pask, lost her way in the ghostly night.

As the darkest tales enshroud,

She bewitched, Mr. Jones, by forces unseen,

A pomegranate seed, a curse in bed sheets between,

the whisper of death came hauntingly loud.

And the looking glass reflects the unknown,

All souls entwined, damned, and in sorrow sown.

In your fears are where nightmares feast,

In the lessor or greater inclination,

I guess this is what they call a damned celebration

where terrors never cease.

Part of the title constraint series

In these constraints, I have taken titles of works from different poets and authors (all the same author for each poem) usually consisting of 20-40 titles. My Constraint was to use as many words as possible in their titles to construct a new Poem.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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