A City Wife Dreams of Camp

Helen dreams of camp as a child as
beneath the moon a carnival in rows
and a nocturne of laughter rings
from the parking lot carnival shows,
in the heart of the city, which some find whimsical.

Like Cinderella, they dance in the carnival as
chess is played by stars in the sky,
A mastery of constellations, up high.
Helen dreams of camp as a child as
carnival magic transpires not lacking whimsical.

In three rings, the circus unfolds as
a spectacle of wonder in the soft lamplight.
City streets echo with the carnival’s call,
Under the circus lights, no stars are seen in the night
Checkmate, as laughter and joy entwine in whimsical

The city life, adorned in carnival colors as
a song is sung in the carnival’s tune,
the city wife hears memories of summer nights.
a melody of moments, beneath the silver moon.
Helen dreams of camp as a child and is whimsical

of camp, closet dramas, giggles, and whispers,
while in the city, only complaints of the heart,
in the carnival’s song, no tales of silly secrets,
No friends that made you a part–
of something. Unveiling emotions that were whimsical.

The complex couch, where promises of friendships were made,
A refuge from cold city nights, where crime does pay.
Lost in the carnival Helen dreams of camp,
where joy and innocence in memories still play.
In the carnival’s magic, Helen finds it absent of whimsical.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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