Sisters at the Seashore

In the tempers of time exist echoes of pain like terminal whispers,
damned is the love-hate that time remembers between jealous sisters
Thy kingdom comes as age grips them in the disassembling spring,
What do ancient memories of these sisters of school daze bring?

Miss Cox in the classroom, needles in her stare,
directed at the boy inscrutable as God, with no care,
Time is a torch, a guide in the dusk, in the touch-and-go,
as we learn what we should and what we should not know.

The traveler’s journey as school-girls, though grades apart
The forbidden knowledge we sought to annoy the upstart,
As the trials of man were taught in musty stained books of fate,
of trios of tulips at dawn, equations, and the republic state.

While in twilight our lessons had us stare awake at the sky,
of the tragedy of two children in love who commit suicide-
A transient fling in old English made fancy, love’s bittersweet taste,
back in the present, Aria and Eva descend the boardwalk stairs in haste.

A beachcomber walks by the ocean, dodging foam, spit out by the sea,
amongst vast waves, searching. Tumbled glass glistens, fragments of memory.
What do memories of school daze bring walking on the shore-
an excuse, a moment to say “I’m sorry for what happened before,

for terminal kingdoms, love-hate jealousy…”? hoping to make amends,
in the complexity of existence, they find reliving the past as friends,
orchestrates moments found, the good often lost in the tempers of time,
Sisters reminisce fondness as bitterness like sea foam, they leave behind.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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