The Fosters

I was never a part of the Foster family,

I was never part of the Foster kin,

They took me in as a favor.

An outsider’s world, where I was ushered in.

A favor cashed, the Sheriff’s wife, a friend,

Just someone who had become fond of me.

Yet the Sheriff’s heart, to me, did not extend.

The Sheriff didn’t want the trouble.

No blood ties bound me, no family embrace,

I wasn’t somebody they cared about,

Just a figure in their home, a distant space.

just somebody in their house.

An obligation, a paycheck, I represented,

An obligation nothing more.

In their lives, I was somewhat resented.

A paycheck, nothing more.

Yet perhaps, in the depths, a flicker of care,

maybe they cared a little.

For they adorned their wall with a picture rare.

They did put my picture up on the wall.

A portrait of me, a small token of regard,

But they never invited me into town.

A silent testament, a connection marred.

They did not want me on outings.

I dwelled on the outskirts, a stranger’s place,

Other Foster children were loved.

Within those walls, I had a small space.

Other foster children, were favored and adored.

In a house not my own, I was known to stay,

But they never came to my graduation.

An enigmatic guest in the world’s array.

In their midst, I found no home.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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