Pleonasm in the Growlery

Pleonasm in the Growlery
In the silent quiet, I find discovery, that hidden seclusion is exceptionally rare.
In my sanctuary, a haven’s refuge, I gruntingly growl in my growlery lair.
A place where shaded darkness shadows dancing movements with whispered sighs,
and lonely solitude embracingly grasps encouraging comfort in binding ties.

Here, in this place, light illuminating dingy dimness freely gives pardoning reprieve.
I shelter in retreat finding consoling solace in what I faithfully believe.
It is a true fact that in the quiet silence, I hear repeating echoes of my soul’s spirit,
occurring as mumbling murmurs of disgruntled discontent. Do you dismayingly fear it?

No required need for wordy discussions where reflective thoughts revealingly unfold,
In the tranquil refuge, where grievant complaints are in revealing stories told.
Where fussy grumbles disintegratingly dissolve in the quiet hush of atmospheric air,
and worrisome anxieties separately unravel with gentle tender, vigilant care.

In this close proximity past history repeats again when timely clocks take on a delayed pause,
as I wander aimlessly within my inside space, holding in an embrace, my imperfect flaws.
A repeating pleonasm of peaceful quietude, where my growlery residingly exists,
and calm serenity reigns in sovereignty in quiet silence where I can simply purely be, persists…

Obligingly allow me to circle around to my safe sanctuary where I can be in existence, be me,
that each and every redundant pleonastic plea begging for calm tranquility’s imposing decree,
to let me, myself, in my home, my house, my growlery be, not only merely in alcove nooks,
anticipatingly awaiting, that which is given free in every chamber room, my library of books.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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