Tick-Tock

I have a time constraint. It is a tether so tight,
against which I fight in time’s ceaseless tide.
Bound by hours, my grip is slipping me into the night.
My feet are tired, I lose my grip, I need a ride.
The clock is ticking, tick-tock against me, the clock
is relentless to abide by an instance in echoes of seconds, yet-
chasing moments, for time will not wait, I hesitate- my rock,
I dance as time towers in ballrooms where eternity dances a duet.

Seconds fly by me, minutes in seconds glide,
where time collides I’m running out of time,
slipping through my hands as I cry as I slide.
no time to confide, I am tripping on this trip of mine,
in my absence, they find me, bind me, and chide me
Rock of ages, time in all its stages, now bereft.
Demands for time are hidden with nowhere to hide me
Time is a gift- too swift, I was deft but with no time left.

I’m pressed for time with a weight I carry on my soul,
I’m facing time limitations as I face the boundaries I set,
I’m in a race against time to reach the rock, my goal.
as I dance and twirl with hours and the hours whirl in a minuet,
I don’t have time on my side, this timeless truth is unveiled,
Tripping, running in a sprint so grand, take my hand!
My truth I wield, fleeting moments my shield, my goal, curtailed.
Footprints fade, falling desperately in shifting soil and sand.

The deadline is looming, a shadow cast, I will not last. Not this time.
The ebb of time, in truth time I make when I make time, and resilience can reside
as specter of time, relentless and vast, I try yet I am running out of time.
within constraints, possibilities collide, my rock created time and in eternity I abide.
Yet, amidst the ticking clock, a choice to make, my choice, my rock, I make.
Running out of rhyme even though time is working against me, I cry a poignant plea!
My Rock found me, and grounds me-embrace the race and let dreams not forsake
In split seconds I declare a truth I decree, I am not my past. It does not define me!

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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