The Fish That Never Swam/Tangled Nets/Mainers Don’t Always Wear Flannel

The Fish That Never Swam
The fish that never swam, whispers of vice,
the shell became the drug.
The dead man’s son emerged with shadows to cast,
the honest dollar turned into a deadly spice.
The net-burning celebration was
the fisherman’s legacy, fading fast.

 In Maine, the rise in drug addiction has strained already fragile communities, leading to increased homelessness, crime, and fractured social bonds. Fishermen and others in rural trades, once seen as the backbone of these communities, now find themselves entangled in the drug trade.
Many addicts find themselves indebted to drug dealers or forced into situations where they commit crimes to support their habits. This is a reflection of the increasing criminalization of addiction and how the drug trade exacerbates social decay in these regions.

Tangled Nets
Bonfires blaze as they play, no one wins in this game,
They gather to raise money for the three-legged dog.
There is always a three-legged dog here.
Fishermen’s sons are not bound by honor or shame.
The lobster fleet anchors off the coast
in the tangled nets in the maritime air.

In rural Maine, the economic decline of industries such as fishing and logging has made communities more vulnerable to drug trafficking and addiction. When economic opportunities shrink, some individuals turn to drug trafficking to make ends meet, further entrenching the cycle of addiction and despair. 

Mainers Don’t Always Wear Flannel
We brave the cold winters and bear the snow,
With dry humor. You don’t get it, we know.
Mainers in flannel, you imagine us, from head to toe,
Even in summer, you think that we refuse to forgo—
closets of quilted plaid and red,
it’s not our only wardrobe,
no beanie on top for bed,
yet sometimes nothing under our robe.
And when winter comes, thicker than molasses.
We wear shorts and no coats, like stubborn asses.
‘Cuz it ain’t winter till we put on our coat! I ain’t puttin’ on my coat. Then we hunker inside to watch re-runs of “Murder she wrote”.

Despite the anguish of the years following 2020, humanity still existed in its pre-pandemic cultural humor. Sometimes it was the memory of how it used to be that kept people going, hoping to regain the normalcy and prosperity of the past.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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