On Being Invited to Dinner

On Being Invited to Dinner

In the dining room conversations arise,
as a game of Limeratomy—unwise,
classical speeches, all bent,
the dinner now spent,
a twist on traditional lyricist guise.


Each dinner guest, whimsical and light,
quick words that would carry the night.
but within every turn,
was a lyric to burn,
Yet sense slipped just out of sight.


The inefficacious Egg stood alone,
His joke—more sliver than bone.
Out the door, he tried to take flight,
yet trapped by what was polite.
Red in face, he finally went home.


Then Eve, with her sleight of rhyme,
after dinner, declined the last wine.
She saw through the flare,
with perceptive care,
and chose to leave fruit on the vine.


The Humorist laughed with great ease,
while crafting his jokes to appease.
but the punchlines he’d toss,
like a wood coin, were a loss,
still durable, but left us to tease.


And Georgie, that playful young chap,
Left many in tears and in a clap.
He kissed and ran free,
With a giggle-filled spree,
Escaping his well-deserved slap.


Then I with bon mot so sly, so refined,
each word polished bright in its kind.
It danced on my tongue,
with meaning well-spun,
In wit, it was perfectly timed.

Each narrative, limercised neat,
marches forth on a merry conceit.
We were invited to dine
on nonsense divine,
Where burlesque makes life complete.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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