Title Constraint Poetry is a form that constructs a new poem by using the titles of existing poems, typically from a specific poet, such as a Laureate, or from an organized list (alphabetical, thematic, or otherwise). The challenge is to incorporate as many words as possible from the selected titles into the new poem, creating fresh meaning while honoring the original sources. A recommended approach is to use approximately 20 titles per grouping to maximize the creative potential of the constraint.
In Mrs. Manstey’s View (rewrite in iambic pentameter)
In Mrs. Manstey’s view from a window high,
Where portraits whisper secrets to the soul,
A water cup, silver’s swirl, reflects sky.
Rembrandt’s mastery. Fleeting is control.
Through thoughts like quicksand, a dilettante’s quest,
within her mind, the pot-boiler’s fire—bright.
She’d hoped to find his father’s son confessed,
full-circle moments, traced in hues of night.
Take back the kingdom! Turn wheels of Atreus’ lore,
where relentless pot-boilers poisons flow,
The old master’s wisdom like ravens soar,
Fever burns in hearts she may never know.
His father’s son’s legacy—painted halls,
Destiny molds the past—while futures blend,
Moments amass as Mrs. Manstey recalls,
peering through the glass, good may yet transcend.
WoPoLi 
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