The Barbarous Echoism
Tick, tap, the quill does dance,
Scratch, scrape, through thought’s expanse.
Thomas Prat, with frown and sneer,
Deems “barbarous” what we hold dear.
Buzz, hum, the bees disagree,
Crash, clash, waves defy the decree.
Boom, the thunder cracks the sky,
Hiss, the wind whispers: “Why deny?”
Clink, clank, the forge of sound,
Plop, drop, life’s echoes abound.
Snap, snarl—Prat’s sharp disdain,
Rustle, rattle—words remain.
Though he scoffs at nature’s play,
Bang! Onomatopoeia stays.
The Barbarous Echoism
From the blog
About the Author: Sarah B. Royal
Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.
Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.
Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.
Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.
WoPoLi 
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