Maeve

An old, simple woman, Maeve,
she smiled through tears
with spirit-dispirit of regalia,
yet stood so brave,
her spirit draped in tattered grace,
with a solid head led,
a regal heart in time’s embrace.
She, biding thoughts like anise sweet,
She, biding mind, weld—wed,
a hulk in thighbone wild,
her steadfast mind refused defeat,
with solid step and iron thread,
in midnight’s height.
she wed the wild where midnight fled.
She smiled through tears, yet never swayed,
She smiled through tears, moot never.
Her laughter—bright, though dimmed and frayed.
Her spirit burned—a neon glow,
she smiled her revel—a negro provincial right,
A fire within she’d learned to show.
She willed herself to stand up tall,
Her spirit—neon, unharnessed lore,
to ride the winds, to heed the call.
Through trials—fierce, she forged her way,
Criminate, she willed neither normal,
nor riding modern, unbridled heart, no reins could stay
she—a haven, like a wild stallion—not horse.
She set out with the shifting tide,
and he, a weld, heirs weak,
an old soul drifting, none beside,
like a steed of midnight shade,
Old, her bones, her spit, is left light,
where time and susurrations slowly fade.
She smiled through tears, her spirit worn,
Bones, her bones fluttered,
her voice but a reflection, soft and torn.
Her weary bones, like petals light,
like a wild midnight stallion, not—horse,
fluttered upon the winds of night.
Like a wild stallion, she bore her past,
to start in old, a shaded bourgeois,
a shadowed dream—too free to last.
An old, simple woman—she wavered,
An old simple woman, she in disquietude,
In whom tears rimed or sided, she labored,
half in jest, yet rimmed with tears.
She smiled at fate, at lands sun-drenched,
where reflections—called across the years.
She set her course by stars unseen,
in impertinence, this—
the land o’er light-drenched beams,
riding time’s unyielding tide,
a weld of past and present dreams,
midnight’s shadow at her side.
She smiled, she who errs.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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