A Visit to the Asylum

A Visit to the Asylum

I came upon a house of dreams
where silence shined bright in broken beams,
where shadows spilled on checker tiles,
and clocks forgot the weight of miles.

Afternoon on a Hill stood bright,
but here, no sun could find its light.
A whispered Alms for those who weep—
soft echoes lost in corridors deep.

An Ancient Gesture bends the spine,
fingers curling over time.
Do you believe that love remains?
Or must it die in dusty names?

Beloved Dust, still warm with breath,
waits beside a gate of death.
Apostrophe to Man, beware—
your hands have built this hollow air.

And still, as men have loved before,
they press their lips to war and lore,
to temples cold, to vacant pews,
to prayers unsaid, to trust abused.

The Ashes of Life lay thick and gray,
as sunrise mourned the end of day.
A specter cried at dawn’s first sight—
an Assault against the coming light.

The young are green; their roots still grow,
but blight will take what youth won’t know.
The tale of a bluebird sings from afar—
a key, a door, a blood-red scar.

A Burial beneath the trees,
the wind unfolds in elegies.
But do not grieve, and do not trust
the fragile hope of love or dust.

And so I left that house of woe,
where ghosts of longing come and go.
I dreamt I moved through fields of peace,
where sorrow slept, and love was freed.

But even in that golden moon light,
I knew—I knew—it was not right.

Leave a comment

From the blog

About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

Design a site like this with WordPress.com
Get started