Most of my Fusion Poetry is created using titles from renowned poets to form entirely new works. By blending the original poet’s themes, styles, and structures into something distinct, this technique engages with found poetry, cento, and collage poetry—but with an emphasis on fusion rather than mere pastiche. It integrates the essence of the poet’s voice while reshaping it through a new creative lens.

This form is inspired by OuLiPoian thinking, or as I prefer, its Americanized counterpart: WoPoLian style. Poetry is often seen as requiring inspiration and lofty ideas, yet this approach relies instead on constraints—piecing together fragments from poetic history to create something new.

As a personal choice, I have not credited the original poets whose titles I’ve used. If curiosity compels you, consider it a riddle waiting to be solved.

While Poetry Fusion could encompass various experimental blends of poetic forms, styles, or traditions, Fusion Poetry defines a structured method of poetic composition. It allows for reinterpretation and expansion, inviting future poets to explore and evolve the form. This concept may take on various expressions, including, cross-form poetry – combining structured forms (e.g., sonnets, ballads) with free verse or experimental techniques.

Fusion Poetry can involve interdisciplinary Poetry – Merging poetry with music, visual art, or performance. It can be based on cultural fusion – integrating poetic traditions from different languages and cultures into a single work. It can use
hybrid poetics – blending traditional elements with contemporary themes, such as archaic language in modern contexts. Constraint-driven combinations in Fusion poetry uses pre-existing titles to construct a new poetic work that prioritizes cohesion over imitation. This constraint-driven form is in majority used in this collection by the author.

Fusion Poetry is not simply an experimental process but a deliberate act of synthesis, where poetry is reconstructed through layered influences. Whether merging rigid formalism with new constraints, blending classic and modern voices, or challenging poetic expression through juxtaposition, the goal remains the same: to create something original using the ideas of the past.