A Girl in a Miniskirt Reads the Bible

A Girl in a Miniskirt Reads the Bible


40,000 thoughts still left to count,
memories that ride in mind, then dismount—
a $340 horse and a $100 whore,
both valued by hands that barter for score,
Debated by heartbeats who have nothing more.

A man on the radio with guts in his tone,
A smile to remember when left alone.
A challenge to the clock that we all face,
a following gathers in time’s empty space,
Folded into the corners of this distant place.

My tortured friend, Peter, speaks of his pain,
through air and light and time’s domain.
Alone with everybody, a paradox rings,
An almost made-up poem, with broken heart strings,
spoken through air, space, time, and things.

As the moon and stars and the world conspire,
Another day is born of fleeting fire.
“Are you drinking?” the hollow voice then asks,
As the poems go, so do our mechanical tasks,
a challenge to the clock, hidden amongst flasks.

As the wind-up sparrow flits through timeless skies,
Back to the machine gun’s mechanical cries.
Close to greatness where confession speaks,
Grief, consummated as the soul it seeks,
and cows in art class paint the void it leeks.
As the sparrow flutters, turning back to the gun,
The machine hums on, and the sparrow is done.
“Be kind,” someone says, as beasts bound through time,
A big night on the town with truths that rhyme,
where cursed angels dread the divine and drink wine.

And now a bluebird sings of Carson McCullers,
of cause and effect in neon-lit colors.
Close to greatness she weaves confession’s thread,
A consummation of grief for what lies ahead—
An almost made-up poem, but the reading sounds dead.

As the cows in art class paint, surreal yet stark,
A crucifix rests in death’s hand, dark.
The curtain falls, a cut while shaving,
Death wants more death, always craving.
Death wants more death, misbehaving.

The Reaper declines, says, “Eat your heart out.”
A drunk gives eulogy for dames, who once did shout.
“Finished? Finished?” the flophouse moans,
Grief consummated for Jane, who lingers in tones—
Another day—clockwork ticks, to claim as our own.

For Jane, consummated with love, wasn’t enough,
For foxes in holes, for freedom, for spirits tough.
Friends within the old clockwork, gamblers all,
As Gaslit Germans whisper down the hall.
As the poems go, we all watched them fall.

And there she is, a girl in a miniskirt,
reading the Bible where truths still hurt.
A clockwork world where life unfolds,
In stitched-together tales, the broken molds.
Flophouses shelter what time withholds.

German tunes play, all the while, a girl in miniskirt,
Reads truths to drunkards the world does hurt.
As friends within times clockworks stay,
Gamblers all, in gaslit corners where music will play,
For Jane, with all I had—and nothing left to say.

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From the blog

About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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