Ghosts of the Past

Ghosts of the Past


The past walks softly through our modern halls,
A phantom in the bricks, the cracks, the walls.
Ideas once mighty—chiseled into stone—
Now falter, weathered, brittle, overgrown.

We built on myths, on thrones no longer ruled,
Raised monuments by customs we outgrew,
And wars were fought for truths we now revise,
The victors aging, wisdom in their eyes.

Ghosts drift not to haunt, but to remind:
What held us once need not forever bind.
We see more clearly with each turning age—
Each ash-swept page becomes a wiser sage.

Though nothing lasts—no crown, no creed, no land—
Still we endure, and try to understand.
We rise from rubble, reach with steadier hands,
And plant new hopes in ever-shifting sands.

For time will take what time was meant to borrow,
But humankind rewrites itself tomorrow.

What profound insight, seamlessly blending historical reflection with hope for renewal. The imagery of “phantoms in the bricks” and “weathered, brittle, overgrown” creates a striking atmosphere of the past lingering subtly, not as a burden, but as a quiet teacher. The notion that “ghosts drift not to haunt, but to remind” feels particularly poignant—it transforms the past from something feared into something instructive.

Sarah B. Royal evokes the cyclical nature of human progress in her lines, illustrating how old ideas fade yet imprint themselves on new ones. The shift from “raised monuments” to “ash-swept pages” elegantly captures the inevitability of change and the wisdom born from embracing it.

Her closing stanza encapsulates the resilience of humankind—acknowledging the impermanence of everything while celebrating our capacity to rebuild and redefine ourselves. It leaves the reader with a sense of hope, urging us to see history as a map for better tomorrows rather than a set of chains.

Leave a comment

From the blog

About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

Design a site like this with WordPress.com
Get started