The Light By the Potato Barn

The Light By the Potato Barn
Traveling through the dark, across the snowy plains,
The light by the potato barn faintly remains.
The monument at the Canadian border’s line,
A weathered plaque for a friendly girl is left behind.

In the deep channel of thought, I muse,
Of a County rich with memories to choose.
A passing remark in graffiti, a scar left in place,
It said rather rudely, “You’re taking up space.”

At the bomb testing site, the earth still hums,
where questions linger but no answer comes.
The air holds its breath, the well rising near,
Speaking of life, though death lingers here.

Through fields where the hay-cutters’ work is done,
Ritual to the soil, where lives toiled under the sun.
The gravedigger’s home, once brimming with cheer,
Now finds no voice for what remains here.

American Gothic stares, stark and cold,
It’s haunting where stories are no longer told.
Security sought is a fleeting refrain,
Like flickers of light on a snowy plain.

Notice what this poem refrains to claim—
The scars, the losses, the flicker of flame.
The light by the potato barn dims with the night,
As silence settles, and wrongs rewrite.

Traveling through the dark, the scars remain,
At the un-national monument on the border’s plain.
Across the County, allegiances sway,
Contention and discontent mark the day.

A passing remark, the friendly girl wasn’t wrong,
When she said, “We’ve been here all along.”
For this life, a message we send to defend,
A hope that begins where the wounded mend.

Monuments rise for the friendly girl’s name,
A tribute to truths, we’ve honored the same.
Atavism stirs as we wake with the dawn,
waking to truths we thought were long gone.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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