Winter Grief

Winter Grief


A grief ago, the heart chilled, then stood still,
A prayer unspoken, yet it lingers still.
A process in the weather of the soul,
Where light reflects frozen and takes its toll.

A refusal to mourn, though flames devour,
A child laid in bed in their final hour.
Yet, death shall have no dominion, they say,
As the saint about to fall kneels to pray.

A winter’s tale in a dammed frost-bound stream,
After the funeral, footsteps fall and seem
to call out to mourners, and call once more,
the fellows who dug the grave we adore.

Altarwise by dim-light, the world does spin,
Among those killed, a man aged bent and thin.
Ballads of the long-legged wait and rise,
to sing the elegies that pierce the skies.

Before I knocked on the door of despair,
I dreamt of genesis, beginnings rare.
Being but women, we foster the light,
Winter-long winds howl loud through the night.

Do not go gentle into that cold night,
Rage, rage, rage! for the dying of the light.
when into the whitest snow, life is thrown,
in cold grief, in winter, we grieve alone.

In the craft of sullen, intricate art,
I see the children of winter depart.
How soon the quarrelsome servant sun fades,
As holy-spring breaks the icy cascades.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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