In the Hour of Exile

In the Hour of Exile
In the North, with alabaster skies glow,
A woman-child waits
As Autumn sings to the corn grinders below.

Fishers cradle dreams in a song of the sea,
As a woman-child watches
They cast nets of hope in praise of eternity.

The weavers spin threads of past and future tales,
As the woman-child listens
While dancers whirl beneath moonlit veils.

In the bazaars, the bangle sellers cry,
As the woman-child weeps
Their voices rise as a hymn to the eternal sky.

The snake charmer plays on his flute a tune,
And the woman-child remembers
A melody of ecstasy under the silver moon.

The Indian gypsy tells of life and loss,
the woman-child speaks
Of the Queen’s Rival and the shadow she casts.

The Royal Tomb stands, a monument to strife,
as the woman-child receives
A gift from the ages of love in life.

Street cries reach as far as the forest dense,
As the woman-child grows old
youth fades from her smile, leaving a transient sense.

The bangle sellers, the fishers, the bearers of dreams,
remember the woman-child and
All sing to the rhythm of life’s flowing streams.

In praise of her own beauty, she stands,
In exile, the woman-child
the Indian gypsy with calloused hands.

The soul’s prayer twines through the bazaars,
And the woman-child writes,
Guided by the light of eternal stars.

To my children, I leave this lore,
of the woman-child in exile.
of bangle sellers and fishers on the shore.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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