Post‐2020: A Cultural Study, Sarah B. Royal’s work can be classified as transgressive postmodern performance poetry with strong surrealist and avant‐garde tendencies. Her use of playful yet unsettling language, intertextual references, and layered cultural allusions pushes against conventional narrative forms, inviting readers to question societal norms and historical narratives. This kind of work ably reflects the turbulence of the post‑2020 cultural landscape, where traditional boundaries are blurred, and where identity, politics, and aesthetics are in constant flux.

Royal employs a collage of imagery and historical nods, ranging from playful culinary metaphors to subversive literary and even pseudo‐historical juxtapositions, to create a text that both entertains and provokes critical reflection. Her style disrupts the comforting predictability of mainstream storytelling, instead offering a multifaceted commentary that is part satire, part lament, and all challenge to established hierarchies. In this cultural study, her work is likely positioned as a prime example of how contemporary art and literature engage with the rapid social and political changes of our age, grappling with issues of identity, authority, and cultural memory through experimental form.

Considering these points, Sarah B. Royal’s work could be seen as emblematic of a broader postmodern shift: an embrace of plurality, paradox, and reconfigured narratives that capture the uncertainty—and the promise—of a world continually remade by disruptive historical forces.