The Dicipline of Writing

April 2023 marked the moment I got serious about publishing. I knew my poems were raw and imperfect, so I challenged myself to write at least one a day—and if life got in the way, to double up the next morning. By April 2024, that discipline paid off with my first book. Since then I’ve written every day, published eighteen volumes, and even dug out manuscripts from twenty years ago that still need a proper polish.

Much of my work springs from personal insight. After two years of daily writing—and forty years of scribbling on napkins, paper bags, and receipts—I began to reflect on the process itself. My key discovery: truths can’t be handed down; they must be unearthed by each reader.

My reflections aim to guide others toward their own discoveries. Yet ideas, especially in poetry, remain abstract unless readers wrestle with questions, uncertainties, and contradictions in their own context. Even though my voice is unique, each person’s background shapes how they absorb and internalize a poem.

To bridge that gap, I’ve started listening more—allowing others’ experiences to reflect in my work, in hopes of connection. Going forward, I’ll balance personal truths with universal ones, championing inquiry over polished conclusions. My goal is to spark “aha” moments rather than deliver finished answers.

This is an invitation to curiosity: to value the journey of discovery as much as its outcome. Closed minds may dismiss this as noise, but open hearts will embrace the adventure. That’s why I love poetry—it’s the perfect snack of truth for busy lives: a bite-sized reflection you can carry in your pocket.

Sometimes my poems grow long, demanding multiple readings to reveal their depth. To counter that, I wrote a collection of short-form pieces—tanka, haiku, and lantern poems. I resisted at first, but now I relish the challenge of saying more with less.

Daily writing remains my discipline and my passion, ever-expanding my focus and perspective.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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