The Books on the Shelf

From August 24, 2014

A man shows up for a job interview to be the CEO of a Fortune 500 company. The interviewer says, “You have an extensive list of skills here; you must have several master’s degrees. What college did you attend?” He replies, “Oh no, I never went to college.” The interviewer says, “Then how did you acquire your skills?” He replies, “I bought all the books.” “Wow,” the interviewer says, “You read all these books on your own?” “No,” he says, “they are sitting on my shelf, but they are there if I need them.”

A bible on the shelf doesn’t save souls either.

The Books on the Shelf

He wore a suit of polished pride,
a practiced smile, his shoulders wide.
The boardroom gleamed, the questions came,
credentials sought, a noble name.

“You’ve listed skills both vast and deep,
a wealth of wisdom one must keep.
Surely many degrees you own—
what college claimed you as their own?”

He cleared his throat, with steady gaze,
“No campus halls, no lecture days.
I bought the books, a mighty trove,
from foundational thought to modern move.”

The panel leaned with widened eyes,
“You’ve read them all?”—a hushed surprise.
He shook his head, a shrug, a jest,
“They sit untouched, but look their best.”

And silence fell, a hollow sound,
for knowledge unread gains no ground.
A truth lay bare, unmasked, unrolled:
A Bible closed saves not a soul.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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