A country called Careforsythia

A Country Called Careforsythia. This is a childhood poem and is also featured in Lost in the Lost and Found with my other childhood poetry.

As a child in a furrowed field of yellow grass
in an out-of-breath hurry, I ran past
what was in yester years gone by a home,
now three walls of crumbling stone
and one wall a bank of burnt wood and grass,
red bricks tumbled and broken glass.
I ran four miles to see my friend,
to play and dream in the summer end,
through the muddy fields that the farmer plowed
I lost my shoe and my sock somehow.
I found my shoe but my sock stayed stuck
somewhere deep in the earthy muck.
I cried to think of my Mother’s glance
when I came home with a one-sock stance
but I ran on to tell my friend
of the stray dog I had encountered then
and how it had led me to the knoll
where the shrubs and bushes hid the hole
that I knew was meant for us to be
the foundation of friendship, a secret country.
The hidden walls were to be our fortress.
She and I, both Queen and Princess.
We made ourselves a sovereign to care
for subjects, the shrubs and flowers there,
and the butterfly that came on a fairies wing
to bless our country, then the insects’ sting
or was it the panic run up the fortress wall
that caused my friend to slip and fall
or the loose earth, burnt wood, and yellowed grass,
the crumbling stone, tumbled brick, or broken glass
that cut her leg and she hurried home
leaving me there to dream alone
and her mother said not to go back again.
Goodbye Careforsythia and then the summer’s end.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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