Unrhymed and Rhymed

From Shadow to Shore

The moon’s eye catches
shadowed woods,
Sharp ridges of the mountain,
sheer rock faces,
rivers leaping restless from their beds,
scattering spray like shattered glass.
The water winds through valleys,
disappearing into forests
where scholars wander alone,
souls in search of thought,
losing themselves
in the beauty of the wild.
emerging at last from the night’s dark,
before the vast open ocean,
wide and glittering, at rest.
The waves shimmering silver,
sliding among rocky crags,
murmuring softly.
The sands gleam pearl-white,
and the rising sun
pours golden across the sky,
It’s bright March just begun.

Where Wilds are Home

The moon’s keen eye on woodlands fall,
On jagged cliffs, sheer mountain walls;
While rivers leap from rocky beds,
Their spray, like shattered crystal, spreads.

Through winding vales the waters go,
To forest depths where shadows slow,
And souls in search of wisdom roam,
Yet lose themselves, for wilds are home.

At last, they leave the night behind,
The boundless ocean before them shines;
Its silver waves through crags are cast,
Soft murmurs on the shoreline last.

The sand gleams pale with pearly light,
The sun ascends to crown the height;
It spills its gold across the skies,
And day’s bright march begins to rise.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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