Form as Emotional Evolution

Together, these three poems trace an emotional arc through form: Each poem shows that the way a heart beats in poetry—its rhythm, its structure, its breath—is inseparable from the way it feels. Form doesn’t just carry emotion; it shapes how we understand it.

Poem TitleFormEmotional ToneFunction of Structure
Lonely HeartFree verseRaw grief, paralysisFragmented lines reflect emotional disarray
Love Lost and YearningRhymed quatrainsElegiac, tenderRhyme and meter transform sorrow into art
Meditation on the Mechanical Persistence of LifeBlank verseDetached, existentialFormal restraint mirrors emotional numbness

Love Lost and Yearning

A lonesome heart beats softly in the chest,
Its rhythm beating names the mind forgot.
Each pulse recalls the warmth that once caressed,
Each silence mourns the echo that is not.

It holds its breath, afraid to break the dream,
Afraid to weep, lest memory awake—
For love once flowed like sunlight on a stream,
And left behind the shimmer of its wake.

If only time could cradle what was dear,
And grief grow gentle, softened into art;
But still, it beats, through longing and through fear—
This faithful, foolish, ever-living heart.

Slowly, sweetly, though the nights depart—
It beats for love, and calls it life’s own art.

Meditation on the Mechanical Persistence of Life

A lone heart beats slowly, without will,
Its lifeblood withheld, its rhythm spare.
The body moves, but all within is still—
An echo trapped in unremembered air.

It holds its tears as though they might restore
A world already vanished, pale, and cold.
Each memory, a wound it can’t ignore,
Each pulse, a tolling bell for what grows old.

If to breathe is pain, then cease the breath;
If to feel is loss, let numbness start.
No life remains but that which mimics death—
A beating void within an empty heart.

Slowly, slowly, until it is done—
The pulse goes on. The meaning—none.

Lonely Heart (from 2004)

A lonely heart beats slowly,
Holding back its lifeblood from the body,
Holding back the tears,
Holding back the memories
That make the heart lonely.

Wishing the memories would fade—
If not to breathe again,
Then to give up breath;
If to cry again,
Then to give up all tears;
If to bleed again,
And not to live again—
Then to give up.

Slowly, slowly,
Beats the heart.
Lonely.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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