Christmas time: 1998

Christmas time: 1998

Chorus:
It’s Christmas time, time for shopping,
shopping for Christmas toys,
toys for all the little girls and boys.

Verse one:
All the girls want dollies,
dollies that blink their eyes,
blink their eyes and talk a lot,
a lot is what they want.
All the boys want trolleys,
Trolleys that go around,
Around on a noisy track,
Track that trolley down!

Chorus:
It’s Christmas time, time for shopping,
shopping for Christmas toys,
toys for all the little girls and boys.

Verse two:
Look there’s Patty,
Patty and her daddy,
“Daddy I want,
I want, a pink and blue hat.”
Look there’s Tommy,
Tommy and his Mommy
“Mommy I want,
I want a base ball bat.”

Chorus:
It’s Christmas time, time for shopping,
shopping for Christmas toys,
toys for all the little girls and boys.

Verse three:
Look there’s baby Jesus,
Jesus in a cradle,
A cradle in a manger,
a manger of hay.
His is the true gift,
the gift of our savior,
Our savior who was born this Christmas day.

New Chorus:
It’s Christmas time, time for stopping,
stopping for a Christmas prayer,
A prayer for all Gods children,
Children every where.

Repeat chorus slowing tempo to a stop:

It’s Christmas time, time for stopping,
stopping for a Christmas prayer,
A prayer for all Gods children,
Children every where.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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