Conversations with People from Away

Conversations with People from Away
The pink granite mountain stands, silent and grand,
but you yearn for ranges of blue, where the ridges expand.
After sunset, I love the smell of the clam flats in the evening rain,
Nature’s gentle tears, and salt tides, are to me a soothing refrain.
Rain, rain, the first rain, who does not love its embrace,
In little ponds and canals, happy reflections I can trace.
You speak of rivers in the spring thaw, that in dry places flow,
Singing water’s melody, in mountains with deserts below,
but claim my frozen rivers, unknown to song, but you’re a fool.
I remember going for water down the dust road to the pool,
Ocean-born I whisper the echoes of the fishing fleet now lost to your kind
and old ships that sit wasted in mud flats, in the hidden cove behind,
while you look at me in misery in your two-piece suit and complain,
that the ocean is too icy, the road is too muddy and it’s a damn cold rain.

Table of Contents constraint poetry project. In this constraint, a poetry anthology originally published in 1925 was used. In each chapter section, titles were organized by theme and used to create a new poem.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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