Gender Roles of Old

Gender Roles of Old
In the humor of love, it’s quite a funny sight,
gender roles like torches, on a moonlit night,
for a rendezvous, when two youth in secrecy, sly,
virgin hearts, sneak away, claiming to be untamed,
but like a pot envious of the kettle, doomed to be flamed.
The contemplative question, should naive bodies entwine,
On market day, in their pockets, not a penny to find.
Yet they take part in a tryst with a torch, under the open sky,
Of a certain green-eyed monster, beware the glance,
In the marketplace, they decide to play a coupling, to chance.
The lady fair, in her youth, is a vision to behold,
His is grace and charm, capable of bringing home gold.
Virgin souls, in ignorance, burning the pot and kettle,
In the complexity of love, in the kitchen, not her place,
She burns the water, but oh, what an enchanting face.
Oh, the humor of love, tragic yet so grand and bright,
A tryst, a dance in the dark, stumbling in the night.
A pot and kettle, in love’s cozy settle.
In this comedy of hearts, do they find the way?
He fails to earn a dollar, day by day by day.
By the marketplace, they stumble and meet,
On market day, no bread, no dough, no meat,
She burns more water, a mysterious art,
Of a certain green-eyed monster, they’d jest,
Each thinks the other has it better, even best.
Out of the kitchen, she would finally roam,
and on market day, he decided to stay home,
In the tryst of souls, you would think they would depart,
Of a certain green-eyed monster, the truth unfurls,
The lady earns a fine dollar, he claims it must be her curls.
At the market, she buys bread, meat, and something sweet,
at home, he cooks a delicious meal, what a treat!
Pot and kettle, the green-eyed monster, a twist in the plot,
She claims it happenstance like a rude upstart
Of a certain green-eyed monster, they’d take part,
This tragic comedy leaves no smile on one’s face
In truth society, as it burns, is the reason for this disgrace
for when the Pot is the Kettle and Kettle, is the Pot,
it’s best to ignore roles when they are not in truth aligned
where youth acts not in jealousy and roles are not assigned.
Such is discontent, not from their own, but from societal woes,
Demanding he should be she, and she should be he, discontent grows.
Prosperous, with wealth, and a clean cozy home, yet they return to proper roles.
The pot and kettle are ruined, so they depart in poverty with empty bowls.

This is part of a TABLE OF CONTENTS restraint poem- In this constraint, I have taken a Poetry Anthology originally published in 1925. Each section contains 20-40 titles. My Constraint was to use as many words as possible in the table of contents to construct a new Poem.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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