Can we but give guilty to be kind

From “A BOOK OF SURREALIST GAMES” by “ALASTAIR BROTCHIE
EDITED BY MEL GOODING”

ЕCHO POEMS
For one, two, or more players.
The aim is to write a poem whose two halves, laid out in two
columns, echo one another. The ‘echo’ may be achieved in various
ways: by the phonetic correspondences of rhyme or half rbyme, by
puns, by rearranging syllables; or by methods which do not depend in
any way upon the phonetic properties of the words. One might use, for
example, the literal or free-associating ‘opposites’ of the previous
game, as in the poem below.
Write the first sentence in the left-hand column. The last part of this
sentence is then transformed into the first part of the sentence in the
right-hand column (in the example, ‘the migrant triangles’ become
‘the circular suggestion’). The second sentence is then completed however one chooses, and this part generates the first half of the second
sentence in the left-hand column (‘fickle fleeces’ become ‘faithful
plumage’ etc.), and so on.
The poem’s title is the ‘echo’ of the final phrase.

Can we but give guilty to be kind

Victory is progress and is unique, History is regress and is oblique
and worth sharing the table, and worst is carrying the fable
because radiance is turbulence. Because cadence is an ambulance.
Defeat means there is always potential To cheat gleams where all says “too crucial
in the river for what you have is the giver for what you gave”
in the inevitability of decline. And see and live ability of the mind.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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