Catachresis

Catachresis
Catachresis: A figure of speech where a word or phrase is used in a way that departs from its typical meaning, often to describe something for which there is no exact term. It involves the borrowing of a word to fill a gap in language, creating a metaphorical or unconventional usage
“The legs of a table” (borrowing legs from anatomy).
“The foot of a mountain” (borrowing foot from the human body).

In poetry, catachresis allows for inventive and striking imagery, enabling poets to describe concepts or objects in fresh and unconventional ways. It often bridges the gap between literal and figurative language, contributing to the richness and creativity of poetic expression.

Tarred Birds of Islam

A sky is fitted with bars where flight should be.
Bright birds arrive—feathers of saffron, turquoise, coral—
but cloth is poured on them like tar.

Their spirits kept in rooms boarded shut,
their songs unsung through throats of glass.
Barbed wire forces the grammar of submission.

Black tar covers all their colors
heavy loads fastened to their backs.
Feathers—once lighter than wind—
are plucked into the dust of the courtyard.

Law ties their beaks with barbed wire,
closing every window facing the open horizon.
Even the sun wears a veil of smoke,
as if daylight itself were instructed not to look.

And the birds—
color still beating under the dark—
They carry their song in their ribs,
though their voices are knots tied around their necks.

Leave a comment

From the blog

About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

Design a site like this with WordPress.com
Get started