Clerihew

Clerihew
A clerihew is a whimsical four-line biographical poem, first created by Edmund Clerihew Bentley. Its defining features are humor, lighthearted absurdity, and a simple AABB rhyme scheme.
Subject Focus:
The first line introduces a well-known person, typically ending with their name.
Humorous and Playful Tone:
The remaining lines exaggerate, satirize, or invent absurdities about the person. The goal is to entertain, not offend.
Rhyme Scheme:
The poem follows an AABB rhyme pattern, ensuring a fun and easy-to-follow rhythm.
No Formal Meter:
Clerihews are not bound by a strict meter, allowing for a conversational and free-flowing style.

Robert Frost
The poet who loved snowy woods, Robert Frost,
In paths less traveled, he rarely got lost.
He pondered life in a world that was dense
as a wooded forest with an un-mended fence.

Improper Clerihew:
The Subject’s Name is Missing or Misplaced:
A proper Clerihew should place the subject’s name at the end of the first line. An improper Clerihew deviates from this rule while maintaining biographical intent.
Overly Serious Tone:
Clerihews are inherently lighthearted and whimsical. A serious or critical tone gives more freedom to the poet in an improper clerihew.
Incorrect Rhyme Scheme:
A proper clerihew must follow the AABB rhyme scheme, the improper clerihew gives the poet more rhyme freedom.

Albert Einstein
Albert Einstein, a scientific force,
Made relativity his favorite course.
His equations were sharp, his theories were grand,
But his math was far too complex to understand.

Why is it improper:
The subject’s name is placed at the beginning, and the tone leans toward dry fact rather than humor or absurdity. It lacks the whimsical exaggeration expected of a proper clerihew.

Deviations from traditional poetic forms, such as the improper clerihew, can be considered equally valid as their proper counterparts, provided the poet consciously acknowledges these variations and employs them in ways that enhance their artistic expression and voice.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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