Yclept a Vocabulary Poem

In ancient tongues, a word obscure, yclept,

A relic of language, not often kept,

Through modern speech, it lingers, largely unknown,

A gem of the past, in etymology’s zone.

In a quaint New England village, serene and good,

Stood a cottage yclept “Maplewood,” as it should,

Where the hearth always warmed weary souls,

And tales of old found their eternal roles.

Yclept, a word of ages, in whispers told,

It means “named” or “called,” from the days of old.

There once lived a critter, yclept “Fizzle” in name,

In a burrow snug, where joy was its aim.

With riddles it played, making creatures giggle,

In the heart of the forest, where trees would wiggle,

Yclept, the word, through the centuries graced,

A linguistic treasure, in time’s embrace.

The Nightingale, yclept, sang through the night,

In the moonlit garden, a mesmerizing sight,

Its haunting melody, through stillness, would flow,

A timeless song, with a mystical glow.

In medieval tales, a knight rode bold and tall,

Yclept as Sir Reginald, they’d answer the call,

To defend the kingdom, in armor so grand,

With a lance in their grip, a sword in their hand.

So, let not this word be forgotten, we plea,

Yclept, a linguistic treasure, let it be free,

In the intricate tapestry of language, it’s found,

A word with a history, forever renowned.

With origins in English, the Middle Ages it traced,

A linguistic treasure, through time embraced.

In medieval stories, knights and castles tall,

Yclept was used to name them, one and all.

So, let us not forget this word so quaint,

Yclept, a relic of language, is still faint.

A linguistic jewel, a word now out of place.

In literary art, and stories of yore, it finds its space

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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