The Very Grand Frog

The Very Grand Frog

A frog in a hat made of moss
Declared himself pond-burgher boss.
He bowed to a fly,
Jumped into the sky,
And blamed the whole thing on the sauce.

Nonsense verse
Nonsense verse is poetry that delights in absurdity, illogic, made-up words, impossible situations, playful sound, and comic strangeness. It may be silly, whimsical, musical, surreal, or childlike. Nonsense verse does not mean careless verse. Its best effects often depend on strong rhythm, rhyme, repetition, and precise comic timing.

Nonsense verse often includes invented creatures, impossible actions, strange logic, wordplay, exaggerated manners, and sound patterns that are enjoyable even when meaning slips away. The poem may make grammatical sense while making no practical sense. To write nonsense verse, begin with an impossible idea and treat it as normal. Use rhyme, rhythm, and repetition to make the absurdity feel inevitable. Let sound lead meaning, but keep the poem lively and controlled.

The Moon-Cheese Mouse

A moon-cheese mouse in a teacup hat
Sailed west in the bowl of a spoon.
He bowed to a big fish, applauded a cat,
And breakfasted twice with the moon.

“The Moon-Cheese Mouse” follows nonsense verse by presenting impossible actions in a playful, rhymed manner. The poem does not need logical explanation. Its pleasure comes from absurd image, music, and surprise.

Nonsense verse is a traditional comic and literary mode. Nonsense verse may be written for children or adults. It may be light, satirical, surreal, or dreamlike.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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