Limerick

Limerick

A limerick is a short five-line light-verse poem, usually comic, witty, absurd, bawdy, or playful. It follows the rhyme scheme AABBA. Lines one, two, and five are longer and rhyme with one another. Lines three and four are shorter and rhyme with one another. The rhythm is usually bouncy and often anapestic.

A limerick often begins by introducing a person and place, then develops a ridiculous or surprising situation. Its pleasure comes from speed, rhyme, rhythm, and a punchline-like ending. The poem should feel quick and memorable.

To write a limerick, choose a comic subject. Write five lines. Make lines one, two, and five rhyme. Make lines three and four rhyme. Keep lines three and four shorter than the others. Let the final line deliver surprise, reversal, or comic closure.

The Poet of Maine

There once was a poet from Maine,
Who wrote every line in the rain.
Her ink ran away,
But she laughed through the day,
And called every puddle a stain.

“The Poet of Maine” follows the limerick form by using five lines and the AABBA rhyme scheme. Maine, rain, and stain form the A rhyme. Away and day form the B rhyme. Lines three and four are shorter than lines one, two, and five. The subject is comic and light, ending with a playful turn.

A limerick may be clean, silly, satirical, rude, or absurd. A stricter limerick keeps the familiar bounce of anapestic rhythm. A looser limerick may relax the meter but should keep the five-line structure, AABBA rhyme, and comic movement. The limerick is a traditional light-verse form, not an author-created WoPoLi form.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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