Lai

Lai

A lai is a short French syllabic poem built from nine lines and two rhymes. In its common modern English form, the rhyme pattern is aabaabaab. The lines carrying the a rhyme have five syllables, while the lines carrying the b rhyme have two syllables. The short b lines create a quick turn, echo, or drop in the poem’s sound.

A lai often feels compressed, musical, and tightly patterned. Because the lines are short, every word must work. The form may be narrative, lyrical, comic, romantic, devotional, reflective, or descriptive. It can tell a tiny story, catch a single mood, or turn around one sharp image.

A lai often includes: nine lines, two rhymes, the rhyme pattern aabaabaab, five syllables in the a lines, two syllables in the b lines, and a compact movement of thought or image. The poem should not feel padded. The short lines make weak words obvious.

To write a lai, first choose two rhyme sounds. The a rhyme must carry most of the poem, so choose a rhyme with enough useful words. Second, draft nine lines following the pattern aabaabaab. Third, count the syllables. Lines one, two, four, five, seven, and eight should have five syllables. Lines three, six, and nine should have two syllables. Fourth, revise for music and sense. The b lines should feel like small hinges, not leftovers.

After Rain

I see what I have seen,
into mist I lean,
rain—bright.
The old stones, moss green,
and roots push between
soft light.
What sorrow has been
Returns to me clean,
clear sight.

“After Rain” follows the lai form by using nine lines and the rhyme pattern aabaabaab. The a lines use five syllables, while the b lines use two syllables. The poem is compressed and image-driven, using the short lines to create a delicate rain-washed scene. A lai may be written as a single nine-line poem or as a sequence of nine-line stanzas. A stricter lai keeps the syllable count and rhyme exact. A looser WoPoLian lai may allow slant rhyme or slight syllable variation, but the short-line pattern should remain recognizable. The lai is a traditional French form, not an author-created WoPoLi form, though a WoPoLian may create variations by changing the subject, tone, or strictness of the rhyme.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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