Monorhyme

Monorhyme

Monorhyme is a poem or passage in which all lines share the same end rhyme. Instead of changing rhyme sounds from stanza to stanza, the poem returns again and again to one rhyme. This can create unity, pressure, comedy, chant, obsession, song, or formal intensity.

A monorhyme often includes repeated end sounds, strong rhythm, and a sense of insistence. It may be lyrical, comic, devotional, satirical, narrative, or spell-like. The danger of monorhyme is monotony. The poet must vary syntax, image, and movement so the repeated rhyme remains alive.

To write a monorhyme, choose a rhyme sound with enough useful words. Write each line so it ends with that rhyme. Avoid forcing weak phrases only to satisfy the rhyme. Let the repeated sound become part of the poem’s meaning.

Rain

The child lifts her face to rain,
The branches lower and rise in rain,
The road remembers wheels in rain,
My heart remembers again through rain.

“Rain” follows monorhyme because every line ends with the same rhyme sound. The repeated rain sound creates unity and reinforces the poem’s subject. Monorhyme is a traditional rhyme strategy. A stricter monorhyme repeats the same exact rhyme throughout. A looser version may use slant rhyme or repeated words. The poet may break the monorhyme once for emphasis, but the break should be deliberate.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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