Egyptian poem 4

To foretell of worth, rank, and renown

is to damage the tongue—

It is wrong to overthrow and caste down

the one who awakens whole—

Grasping at wisdom but taking death,

to fall to enemies that foretell of gold

through negative actions.

Evil work brings humankind death.

Here is an AI Analyses of the image. This image is a standard chart showing a selection of Ancient Egyptian hieroglyphs classified by the Gardiner’s Sign List. Rather than a single sentence or message, it displays individual logograms, phonograms, and determinatives used in ancient Egyptian writing.

Individual Meanings of the Glyphs:

The chart contains a mix of human figures, animals, and objects, organized from left to right, line by line:

Row 1:
Giraffe: Used to represent the word srni (to foretell, prophesy, or see from afar).
Ram head on a neck: Used as a determinative for sheep, rams, or related activities.
Goat with a collar: Represents a kid or a goat, often signifying “noble” (sḥ).
Sacrificial ram head: Represents an offering or an alternative form of a ram sign.
Bent leg/foot: Symbolizes movement, walking, or pacing forward.
Walking stick/staff: A symbol of authority, old age, or leadership.


Row 2:

Wrapped bandage or linen loop: Often functions as a determinative for clothing or bindings.
Falling or tumbling man: Represents falling, being cast down, or an enemy collapsing.
Man climbing or crawling: Represents climbing, striving, or specific actions of movement. Bow string / Two bows joined: Symbolic of weaponry, military forces, or archery. Loaf of bread or alternative vessel: Common ideogram for sustenance, or food offerings. Man leaning on a staff: The symbol for an elder, an official, or a person of high rank.

Row 3:

Loaf/Arm variant: Represents specific phonetic letters or quantities depending on context. Man building or shaping pottery: Represents construction, building, or manual work. Prone/Dead figure on a couch: Used as a determinative for death, sleep, or lying down. Kneeling man with hands raised: Represents praising, rejoicing, worship, or praying. Giraffe (standing): (Repeated) Used for foresight or representing exotic African fauna. Awning over columns / Shaded structure: Represents a shrine, booth, or festival hall.

Row 4:

Human arm / Forearm: Phonetic sign for the letter “a” (ayin) or signifying physical strength. Shield: Represents protection, defense, or military equipment. Kneeling person with a basket on their head: Represents a bearer, carrying cargo, or making an offering. Man with a bow and arrow: Determinative for soldiers, armies, or hunting. Seated man holding an object: Represents a specific trade, craftsman, or a person holding a small tool. Mummy / Deceased figure lying flat: Determinative for a mummy, corpse, or the afterlife.

How Hieroglyphs Are Read:

Ancient Egyptian does not use an ordinary alphabet. Instead, symbols like these serve three purposes:

Phonograms: Standing for specific consonant sounds (e.g., the arm icon).

Ideograms: Representing the exact object depicted (e.g., the shield meaning “shield”).

Determinatives: Placed at the end of a word to clarify its meaning (e.g., a walking man attached to a word implies an action related to movement).

These individual hieroglyphs cannot be translated into a complete, grammatically correct sentence because they are separate, unlinked symbols from a reference chart (Gardiner’s Sign List). They lack the necessary grammatical connectors, verbs, and pronouns needed to form text.

However, if we read the characters in standard Egyptian reading order (left-to-right, row-by-row) and combine their literal actions, they tell a visual story of life, work, worship, and death:

Row 1: The Prophecy and the Journey: A giraffe foretells the future while the sacred ram and the noble goat look on; a traveler takes his staff and sets out on foot.

Row 2: The Struggle and Sustenance: A binding cord tightens, causing a man to stumble and fall, yet another climbs upward through conflict; they break bread with the respected elders.

Row 3: The Labor and Worship: Hands shape the clay to build a home, resting when sleep overcomes the weary body; a faithful man kneels to praise the gods beneath the sacred shrine.

Row 4: The Defense, Sacrifice, and Peace: With strong arms and heavy shields, the bearers bring their offerings; the archers go out to defend the land, until the final hour brings eternal rest in the tomb.

To make these symbols readable in ancient Egyptian, you would need to group them with phonetic signs (to spell out words) and grammatical endings (to create verbs, nouns, and tense). In hieroglyphs, individual signs rarely stand alone. They function together in blocks.

Here is how you could modify and combine the signs in each row to turn them into readable, grammatically correct phrases:

Row 1: The Prophecy of the Noble Ram

The Problem: The giraffe (srni) and goat (sḥ) are broad concepts.


How to make it readable: Add water wave signs (𓈖 – n) and mouth signs ( his – r) around the giraffe to spell out the active verb “to prophesy” (srni).Add a seated official sign ( 𓀙 ) next to the goat to formally write the word “Noble” (sḥ).Resulting Phrase: “The noble prophesies a safe journey on foot.

Row 2: The Soldier’s Downfall

The Problem: The falling man ( 𓀿 ) and climbing man ( 𓁃 ) are purely visual actions without context.

How to make it readable: Place a reed leaf ( 𓀼 – i) and a quail chick ( 𓅱 – w) before the falling man to turn it into a past-tense verb: “He fell” or “He was defeated. Place a throw-stick sign ( 𓌙 ) next to the soldier to indicate an “Asiatic enemy.”

Resulting Phrase: “The climbing enemy was cast down before the elders.”

Row 3: Building the Shrine

The Problem: The builder ( 𓀾 ) and the shrine ( 𓉢 ) are missing the words for “who” and “where.”

How to make it readable:

Add a horned viper ( 𓆑 – f) after the builder to mean “He builds.” Add a house floorplan sign ( 𓉐 – pr) before the shrine to create a prepositional phrase: “inside the temple.” Resulting Phrase: “The craftsman builds a sacred shrine, then rests.”

Row 4: The Army’s Offering

The Problem: The arm, shield, and archer are just a list of military gear.

How to make it readable: Combine the arm ( 𓂂 ) and shield ( 𓂝 ) directly into a single block ( 𓂜 ). In Egyptian, this exact combination forms the word “to fight” (‘ḥ‘). Add three plural lines ( 𓏥 ) under the archer to turn it from “one soldier” into “the army.” Resulting Phrase: “The army fights to defend the land, bringing offerings to the deceased.”


The 3 Core Rules for Rearranging Them:

If you want to practice arranging these into readable Egyptian script, follow these three visual layout rules: Stack them into squares: Egyptians hated empty space. A tall sign like the giraffe stands alone, but smaller signs like the foot or bread loaf must be stacked neatly on top of one another. Face your animals toward the start: If you want to read from left to right, all the animals and people must face to the left (looking toward the beginning of the sentence). Action goes last: Always put the abstract phonetic sounds first, and use these specific stick-figure drawings at the very end of the word to act as punctuation. Create the corrected hieroglyphs.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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