Conceptualism The Perfect Metrical Verse

The Perfect Metrical Verse

I insist, insist, this is a perfect verse,

written in the spirit of labor and theory,

where words are bricks and meanings are factories.

I insist, insist, it is perfect,

constructed from the blueprint of ideology,

each line a manifesto,

each pause a calculation

on the assembly line of consciousness.

I insist, insist, read closely,

here the self dissolves into signs,

here the concept dictates the hand, not the heart,

yet I insist, insist, it is perfectly human.

I insist, insist, it is perfect,

not from nature, not from impulse,

but from a grid of intention

where repetition is proof,

and proof is repetition.

I insist, insist, the poem folds itself

into itself, a diagram of thought,

a critique of desire, a rendering of slogans,

and still, I insist, insist, it is perfectly metrical.

I insist, insist, this is a perfect metrical verse,

each word a measured hammer blow,

each line a scaffold

holding the architecture of insistence.

I insist, insist—there is nothing accidental,

yet if you listen, you hear the unsaid dream,

a human voice filtered through ideology,

and still, I insist—perfect, perfect, perfect.

Response

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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