AI “Detectors”

I see this allot, concerns over being accused of AI. When I first published my childhood writings, for fun I ran it through an AI “Detector” It said 91% was AI. Current research describes detectors as vulnerable to false positives and unreliable when used punitively. I will not discuss the benefits or pitfalls of AI. Like computer use and the controversy over screens, everyone has a point the want to make. However, if you are concerned of being accused, here is some simple advice:

To protect yourself, focus on provenance, not detector scores. Keep drafts, notebooks, scans, dated files, handwritten pages, old emails, workshop notes, and early exports. Use version history: Word/Google Docs/OneDrive, Scrivener snapshots, Git, or a writing app that keeps dated revisions. Save process evidence: outlines, fragments, alternate lines, cut stanzas, handwritten edits. For older work, scan originals and keep photos of notebooks or folders with visible context. Keep a short AI-use statement: for example, “No generative AI was used to draft this work. Spellcheck/grammar tools, if any, were limited to proofreading.”
If submitting somewhere, check their AI policy before submission and keep a copy. If accused, ask for the detector name, version, date, threshold, full report, and whether their policy allows detector-only punishment. Then provide your draft trail and request human review.

Do not ruin your style trying to “sound less AI.” That punishes your own voice. The better defense is a paper trail showing how the work came into being. I have a website of my drafts and poetry, and I scanned in my old notebooks and drafts, in part to show process and also prove that I am the author of what I write. Yet I have also experimented with many forms, such as search bar poetry, auto-fill, and other technological experiments. My conscience is clean.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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