The Choir of Bells

Seed₁–₄ → Mutation₅–₈ → Turn₉ → Propagation₁₀–₁₂ → Return₁₃–₁₄

I count the bells before they claim the square.
Their bronze divides the market into sound.
The baker sends a sleeve of flour through air.
A child draws smaller circles on the ground.
One letter turns the count I keep to court.
The bells convene; the pigeons form a case.
A fountain offers splashes in support.
The wind submits a leaf and leaves its place.
But who has made the listening into law?
The child steps through a circle with one shoe.
No clerk records the opening I saw.
The chalk permits the foot to wander through.
I count again, but leave one number free.
The unstruck bell reserves a turn for me.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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